The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another. Her father had completed his business, and both were glad to leave London. She had a sense of something sinister, foreboding, casting its shadow on the sordid, unclean streets, the neglected buildings falling into disrepair. A lurking savagery, a half-veiled enmity seemed to be stealing among the people. The town’s mad lust for pleasure: its fierce, unjoyous laughter: its desire ever to be in crowds as if afraid of itself: its orgies of eating and drinking: its animal-like indifference to the misery and death that lay but a little way beyond its own horizon! She dared not remember history. Perhaps it would pass.!

“I thought you were something,” answered the girl. “I’m an artist. Or, rather, was,” she added after a pause. “Give him our love,” he said. “Tell him we came together, at the end.”

He rose slowly from a high-backed chair beside the fire. The German laughed again. “Oh, they know their business,” he answered. “You have your glass of beer and go to bed, and when you wake up in the morning you find that war has been declared; and you keep your mouth shut—unless you want to be shot for a traitor. Not that it would have made much difference,” he added. “I admit that. The ground had been too well prepared. England was envious of our trade. King Edward had been plotting our destruction. Our papers were full of translations from yours, talking about ‘La Revanche!’ We were told that you had been lending money to Russia to enable her to build railways, and that when they were complete France and Russia would fall upon us suddenly. ‘The Fatherland in danger!’ It may be lies or it may not; what is one to do? What would you have done—even if you could have done anything?” Suddenly she heard a light step in the passage, and the room door opened. A girl entered. She was wearing a large black hat and a black boa round her neck. Between them her face shone unnaturally white. She carried a small cloth bag. She started, on seeing Joan, and seemed about to retreat.